Category Archives: modeling

Interview with Fitness/Commercial Photographer James Patrick

James Patrick is a highly published fitness and commercial photographer based in Tucson, Arizona. He is a very talented and passionate photographer. James takes pride in his work and his team. His work has appeared in the following magazines: Oxygen, Scottsdale Health, Fitness Plus, Max Sports & Fitness, Physique, World Physique, Las Vegas Sports & Fitness, Tucson Lifestyle, College Affair, Entrepreneur, FHM, Maxim, The New Southwest, Tucson Green Times, Model Scene, eGirls News, So Scottsdale, 944, Campus, RedBlue, Latino y Style, Perfectify, SW Style & Living, Tombstone Epitaph, Oro Valley|Marana, Top Pair, Tucson Women’s, Young Money, Teeze, theScast, Petite Styles, Mobscene, Tucson Foothills, Biz Tucson, Iron Man, Muscle & Performance, M Fitness, CitiScapes, Fit and Firm and many more. Additionally, James works as a marketing professional, website strategist, and a public speaker covering a variety of topics including photography, marketing, and business development.

I really feel that this interview with James has given me a great insight into fitness photography and fitness modeling. If you are interested in being in the industry, I think that you will find James’ responses highly useful.

AVIVA: How long have you been a photographer?
JAMES PATRICK: I was literally tossed into the photography industry about nine years ago. I say “tossed in” because at the time I was a journalist for a small newspaper. As I was working late one night and about to head out to interview someone for a feature story my editor tossed a camera in my hands. Apparently there were no staff photographers in the office that night and I had to play double-duty of both writer and photographer. I fell in love with it instantly. From that point I had to figure out how to actually take a quality photo. I took only one photo class in college so a large portion of my development in the industry (pardon the pun) came from interning for various photographers as well as from making a lot of mistakes and learning along the way. I spent a few years working on the editorial side as a photo editor for both a newspaper and a magazine. In that field I had to manage a small staff of photographers, divvy out projects, select images for print, post process them and so on. In my mid-20s is when I really started to push myself into the freelance editorial and commercial markets.

AVIVA: Do you pre-visualize your photos or do you put all the components together as you go?
JP: That would completely depend on the project. With a lot of my editorial clients, I will have either a sit down meeting with the Art Director or Creative Director – or at least chat through the phone. We will discuss the project in detail regarding who or what the photos are of, what the article is about, what is important to incorporate into the images. We share inspirational images back and forth and determine what we hope to achieve during the upcoming shoot. Then during the shoot we always keep our eyes open for on-the-spot creative ideas. Often times commercial shoots are also very precise in the planning stages. Many times as a photographer bidding or proposing on a job, we have to type up a fairly detailed project approach in our bid package that we send into the client. In that we state our “creative vision” for the shoot. That is exactly why any artist, including photographers, will live and die based upon their style. Their style will get them hired just as much as their style will get them overlooked. It is not about having a style that everyone likes. It is about having a style that your key niche or target client connects with. On the flip side of things, there are times where my team and I have to play the role of photographer and creative director right on set. We had that a few nights ago were we were hired to photograph a rock band at a small concert venue. We show up and the band and their manager tells us “we are open to whatever you think will look good.” Over the new few hours, my assistant and I had to fire on all creative cylinders. It worked out beautifully and the band received a variety of creative images and setups.

AVIVA: What achievement(s) in your career are you most proud of?
JP: That is a difficult question because I look at each project my team and I take on as an opportunity to do something new, something different and something exciting. I would say what I am most proud of is that I can do what I do for a living. That I am fortunate enough to have built such a great team to work with, that I have such fantastic clients, that I can spend endless hours building something I am truly passionate about. No award, publication cover, or big budget assignment can compare to knowing that I am doing the right thing.

AVIVA: We have heard the statement: “Success in photography is 90% business and 10% photography skill”. Do you agree or disagree and why?
JP: I may push it as far as success is 99% business and 1% photography. A photographer needs the skills, but just being able to take great images is not nearly enough. One of my favorite authors Daniel H. Pink stated “Persistence trumps talent.” I could not believe that more. I see brilliant photographers get passed up by those who, although may not be as talented, had a little more grit and will and drive to succeed. It surprises me that more art schools are not teaching basic business courses for their students. Standard things like how to do book-keeping, how to do taxes, understanding local laws and regulations (if there are any), and most importantly – how to market yourself. Every year I am privileged to return to my alma mater to speak to college photographers on what it takes to define their brand and then how they can go about marketing that brand to build their business. If one were to look at my bookshelf, they will see a bevy of books on photography for sure. However they will see three times as many books on marketing and business. That goes back to me being insanely curious. I love to learn and marketing is a universal language that can be applied to so many ventures.

AVIVA: Which photographers (if any) inspire you?
JP: There are two that immediately come to mind. One was a professor I had in college. He was one of the first people who gave me the opportunity to sink or swim with my abilities. Over a few years I worked alongside him and learned as much as I could from him, not necessarily about how to take a great photo, but how to develop a great professional life. Another is a fantastic commercial photographer here in town. We go to lunch fairly regularly and are able to act as a sounding board to one another – helping each other out. I am also inspired by those that work as part of my team. My lead assistant is growing a fantastic business as a photographer and it is so exciting to see his journey along the way. My production manager has developed a fantastic business for herself as well. Watching their success pushes me to improve as well.

But in full disclosure, I am actually inspired by more than just photographers. I find inspiration from great videographers, visionary directors, thought-provoking writers, captivating public speakers and more.

One thing about me is that I am endlessly curious. So I am always seeking out new avenues for inspiration and education.

AVIVA: Since many aspiring models have asked this in online modeling forums, I’m going to ask you the same question and hopefully help them out: How important is breast size as a factor in getting published in fitness magazines?
JP: I had to give a bit of thought to this question as my original response was simply just “no” – however after thinking it through I feel it really just depends on the goals of the model. Specifically it relates to what type of market is the model attempting to pursue. I’m sure there are probably markets out there that it may matter.

When it comes to fitness, the industry I work in, augmentations can actually sometimes be a deterrent that prevents a talent from being hired. I’ve been on sets where the stylists and wardrobe manager have to ask the talent to wear clothing that hides or minimizes the size of their bust. When looked at some athletic based publications – it is very rare that you will see augmentations at all.

I am not an advocate, nor am I against augmented talents. It all really comes back to what are the talent’s goals and where do they want to market themselves towards.

AVIVA: What is your biggest pet peeve when it comes to models (ie. what are some things that models do that you feel they shouldn’t)?
JP: Another hard question. For the most part I work with some truly amazing, driven and energetic talents. I would say the only time it becomes frustrating is when there is a lack of drive and passion behind what they are doing. If a talent shows up on set and is not loving what they do, the photographer will notice, the art director will notice, the photo editor will notice. The same can be said for when a photographer shows up without being invested into what they are doing. Making the effort to try and have every project your best project will go a long way.

AVIVA: What do you feel is the biggest mistake that new models make?
JP: Perhaps the same mistake a lot of new photographers make. Simply being able to take great images is not enough as a model, just as it is not enough as a photographer. Starting an online profile or throwing them up on a social media channel is not enough either.

It is about doing research to learn as much as you can about the market you want to be in. It is about developing a marketable portfolio that is going to resonate with your target clients. It is about taking the endless hours it requires to build quality relationships with the decision makers for your target clients. It is about super delivering on projects. It is about always staying in touch with your clients. And it is about doing that all over and over and over again.

A good friend of mine began their career as a talent about a year and a half ago. Through that time they’ve worked relentlessly to build up their brand, market what they do, connect to the right people, build quality relationships and more. They are starting to book some high profile jobs right now and commented to me recently “I never would have imagined how much investment this takes.” And it is true. It was an investment of finances, time and emotions. They then said, “I would not change a thing.” Their success, like the success of most, is earned, not given.

AVIVA: Do you have any upcoming projects that we should be on the lookout for (if you’re allowed to talk about them)?
JP: The team and I always have a few things in the fire at once. We are in the process of launching our second season of The Pro Exposure podcast which is available for free at www.theproexposure.com – there you can hear our interviews with various professionals in the talent industry sharing tips and insights on how they made their own journey.

I’m presently working with my videographer on some creative projects. We are in pre-production right now, but hope to have more details available this coming fall.

This fall I will be speaking as well as photographer at Fitness & Sports Network’s FMI 2012 conference in Los Angeles, California. At the same event I will be working with Max Sports & Fitness Magazine as we will be casting the January 2013 cover model or models at the event.

Also my lead assistant and I are launching a new site before the end of the year that will share some of our more creative projects in a different format.

AVIVA: Do you have any additional comments?
JP: Just wanted to thank you for the opportunity to share these thoughts with the readers. If they are interested they can subscribe to my blog – as I post a new article each week. Also feel free to connect with me via my Facebook page.

I would like to thank James for the interview, and I wish him continued success.

Aviva 🙂

Interview with Full-time Traveling Model Jessi June

Jessi June has been a full-time model for about 3 years, so she definitely knows what she is talking about when it comes to knowing the modeling industry and where she fits in. This girl is amazing! Although she is 5’6″ and was constantly told that she is too short to model, among other things, she persevered and proved that nothing can stop her. Jessi has been published in countless magazines, has taken part in a large number of events, and has toured the USA being paid to shoot with photographers of all skill levels. She knows how to reach her goals and is always striving to improve herself as a model. Although she primarily shoots glamour, she excels at other genres too.

In her interview, Jessi tells us how to succeed as a model, how she got started as a model, and what keeps her motivated to advance in this brutally competitive industry. Read and share her success story to inspire others.

AVIVA: What inspired you to become a model and how did you get started?
JESSI JUNE: Well, it was always my dream to be honest. When I first started, I was another naive girl who thought “I wanna be a fashion model at 5’5 with big boobs and curves!” Well, that notion quickly dissipated into reality, but for the better, because I came to realize that I loved doing glamour model so much more than fashion anyways! As for getting started, your looking at it! I didn’t take senior pictures for high school because I graduated in 3 years, so I promised my mom we would go to glamour shots (I know, stop shuddering, I’m sorry! It’s the truth though…). In the mean time, I was trying to figure out how the hell girls became models, and found all these wonderful online sites. So we went, we took some shots, and when I got them back, I posted them! I worked hard at trying to get shoots, and finally, a photographer named Gil Purcil in Miami gave me a shot! It was a swimwear shoot, my mom came (It was a week before I was 18, so she had to, calm it down escort forum posters), and it went amazing! After that, I was hooked! I’ve been working my ass off ever since to make sure I made this happen!

AVIVA: Have you always wanted to be a model or did you have other career aspirations in the past?
JJ: This was always supposedly a pipe dream. “Theres no money in it!”, “You’re not pretty enough”, “Do you know how much weight you’d have to lose??”, and “Hahahaha, you?? Please!!” were just some of the responses I got when I told people. Granted, I was overweight at the time and not really going anywhere, but man, did that light a fire under my ass! If I wasn’t a model, I don’t know what I would have done to be honest, because I never gave myself an option. During my “Senior Year” which was spent at a community college full time, I spent my time modeling and working part time at a pet store and a night club to make money to get my 1992 AC-less 250,000 mile corolla to shoots. I’d have to fix it while there half the time to get it home. Photographers from Miami can verify this!

Above: Photo by Rich Cutrone
 

AVIVA: If you could meet 3 famous people, who would they be and why?
JJ: Well, that’s rough because I’ve met everyone on my old list of people I would love to meet. My first person would probably be Jenna Jameson, because I would love to discuss how the transition from being in front of the camera to CEO and best selling author went, and how hard it was for her to do. My second one would be Michael Jordan, because he may be one of the best self-branders to ever live, coming from basketball player and building a retail monster, that really, no other sport star has been able to match. The third would have to be one of the famous chefs off the Food Network; Anthony Bourdain, Bobby Flay, Emeril, etc. I love food, and I would love to be able to get down and cook one day with one of those guys, because I think just the talking shop be worth it, ignoring how great the food would be!

AVIVA: What career achievement are you most proud of? (name publications, etc)
JJ: The fact that I can call it a “career”. I mean, I’ve been in numerous magazines, and every time it’s still cool to see it, but the fact that I’m here, that I’ve been a model full time for almost 3 years, has to be what I’m most proud of. That I proved the naysayers wrong. Penthouse is cool to be in, I work for Maxim and am in that monthly now (international) and I worked for playboy in Miami, and those were all cool experiences, but I still think above all, the fact that I’m a “Professional Glamour model”, Chubby, ugly, little Jessi from 5 years ago who had no future, is just awesome, and I’ll never take that for granted. It still motivates me every day.

Above: Photo by TH Taylor


AVIVA: What do you believe has been the key to your success as a model in such a short period of time? 
JJ: Honestly?? This is going to sound kind of bad, but the fact that I take everything personally. I know, “crazy bitch!”, but hear me out! So back when I was starting, I had a shoot with a photographer which was gonna be my best to date. Well, he didn’t like how the shots came out, even though I did, and it was because of me. Well, that hit me hard! I didn’t have thick skin back then, and it got to me! I swore I would work so hard that I would never have to hear that again! So I did! And still to this day, when I have a shoot, which is almost once a day, that when I see a photographer not use the shots, it still bothers me, and motivates me to do better! I know it’s kind of silly, but I don’t want to lie either. Everytime I get passed up, told I’m too young, or anything else, it just adds fuel to the fire! I’m vindictive, but not in an egotistical way, it’s more like I just say “Told you so” in my head! I thank some of the Miami photographers everyday who treated me like I was nothing because I was a newbie down there, for keeping me motivated for these exact reasons.

AVIVA: What do you look for in photographers that you would do trade with?
JJ: A photographer who can add to my port. By now in my career, I’ve done a lot, and I’ve been so lucky to work with some of the best MM has to offer. I never look down on anyone who tries to offer me a TF shoot, because hell, I was that person at one point messaging people begging for a TF opportunity to improve myself, but I am more selective these days. I try to make sure that not only do they produce great photos, but that they are photos that sell me. See, there are so many amazing photographers on Model Mayhem that create amazing pictures, but sometimes, the shots they make, though great pieces of art, just don’t sell the model, and therefore, it’s not really something I can add to my port. A few photographers have gotten offended when I responded that I couldn’t trade for shots because people automatically think, “Oh, so you think your better then me”, but that’s just not the case. So if I’m going to do a trade shoot, it would have to be something I know I could use to book more work, so it ultimately does make me the money that wasn’t involved in the shoot, and if it doesn’t sell the model, then it won’t serve that purpose.

AVIVA: When you are not doing shoots/booking work, what can people expect to find you doing? (ie. other hobbies/interests) 
JJ: Wait a minute, there’s a time when people aren’t doing that?? What is this madness you speak of?!? Honestly, I would say on any given day, I work about 12 hours a day, minimum. I plan my schedule 3-6 months ahead, so I’m constantly negotiating and booking in shoots since I travel full time (ie no taking a break to go home). In addition to that, I’m planning a huge workshop for December with the best models on MM, I’ve got a business I’m starting to help people with their pinterest followings (pinleague.com), I run 3 different companies social networking efforts, so that takes time, not including blogging to my 2,000,000 followers on google plus and networking myself around the web. TL;DR: I don’t really do much else. I enjoy movies, so I occasionally hit up one of those, and I love food, so you can find me at good restaurants, but if it’s not a movie or a burger, I’m sitting at the Macbook typing my brains out.

AVIVA: What is your favorite skincare/beauty tip?
JJ: You know, I’m no expert on cosmetics and if I knew more about skincare, I wouldn’t still get pimples every few weeks, but I do have a Beauty tip for people. This industry is rough, especially on ones self confidence. No matter what you choose to do, be it natural or through surgery, do it for you, and you alone. Don’t get fake boobs JUST because you think it will get you more work, because you know what, there are just as many people who like small natural boobs as big fake ones. Don’t get lip injections or nose jobs because you think it will pay off. Do whatever you’re going to do, but do it because it will make YOU feel better, not for the job. Cosmetic surgery, diets, etc. have been some of the best things to happen to some of my friends, and some of the worst to happen to others, and it all comes back to their reasonings.

AVIVA: What other endeavors/goals would you like to pursue in the next 5 years? (ie. where do you see yourself in 5 years)
JJ: Well, hopefully this workshop goes over well in December, and I’ll still be running those. I’m hoping a few of my side businesses take off before then, but I guess my main goal will be to be more established as a business woman and a CEO than as a model. I love modeling, with all my heart, and I’ll never stop until it tells me to… but this life ends one day. When the cuteness fades and the lights stop flashing, I want to make sure I used this time wisely to not only create a life for myself outside the lens, but to make it’s a sustainable one for my loved ones. Whenever I look back on my early high school years, I’m full of regret for not being smarter about it, as it was so easy to just get good grades and I could have been in an Ivy-League school or something. I promised myself I would never feel that way again, so I work myself to the bone every day to make sure when I look back on this crazy life of mine, and all that’s come with it, I’ll be able to smile and know, successful or not, that I left it all out there!

AVIVA: Do you have any additional comments?
JJ: Just to thank you guys for asking me to do this, and all the AH Life & Style followers and readers who took time out of their day to read it! I really appreciate it!

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I would like to thank Jessi for her interview. I wish her continued success in her career.

If you want to see more of Jessi’s work, check out her FACEBOOK page, Twitter, and WEBSITE, and Model Mayhem.

Interview with Model, Actress, and Stunt Performer Michelle Jeanpierre

Michelle Jeanpierre is a fitness model, actress and stunt performer based in Vancouver, British Columbia. She is originally from Victoria, BC. Michelle is an inspiration to many women because she has the drive, ambition, and the right attitude to go for her goals regardless of how difficult it may be at times. She has worked hard to get to where she is and she is showing no sign of slowing down! She is also part of a show called “Primeval”, which she booked not too long ago. On top of being super driven and goal-oriented, she is absolutely stunning!

 Michelle Jeanpierre is amazing! I am thrilled to have been able to interview her! Her answers have inspired me and they are sure to inspire you too.

Above: Michelle Jeanpierre on the cover of Natural Muscle Magazine

AVIVA: How long have you been pursuing the fitness modeling and acting industries?  
MICHELLE JEANPIERRE: I originally moved to Vancouver in 2003 to pursue a career as a professional dancer! I had been dancing for a while in the city and doing a couple of small back-up dancing jobs and casino style shows to make money, when someone approached me to come in for a stunt performer job on Scary Movie 4. I guess they needed a performer with a certain aesthetic, and at the time they couldn’t think of anyone in the industry who fit the description so someone in my network suggested me. So I went in and met with the directors and they booked me in for my very first stunt job. That was in 2004. I also worked my first fitness conventions in Las Vegas and California that year after being approached by a supplement company owner at my local gym. I didn’t start competing till 2007. I took several consecutive 1st place wins that year. Acting is an art that I’ve had the opportunity to explore throughout my stunt career. I’m currently working with a private acting coach and looking to branch out a bit more this year : )

AVIVA: Have you always wanted to be a stunt performer/actress/fitness model, or did you have other career aspirations when you were younger?
MJ: I’ve always just wanted to perform, for as long as I can remember…I grew up in Victoria BC and started in my 1st ballet class at the age of 3. And all through elementary school I danced 8 classes/week. I had my own bus pass and would catch the bus downtown after school to make it to my dance classes. I joined a dance company and we would perform all around the city at different venues and always using different sized stages etc. The scenario would always change and it taught me to quickly learn new blocking, choreography, and to hit my ever changing stage marks…all of these skills are paramount to what I’m doing in my life now. That said, I’ve got a broad spectrum of interests, but at the core of it I’ve always wanted to be a performer.


AVIVA: What achievements in your career are you most proud of?
MJ: What am I most proud of?? Hmmm…probably my perseverance. It’s not an easy life to be a performer. There are many peaks and valleys. The highs are incredibly high, and the lows are usually accounted for by the “waiting” that is involved. If I can offer some advice on this it would be this: Don’t ever spend your time “waiting” for things to happen! Be proactive, keep yourself busy, have a positive thought process, explore interests and talents and try lots of new things, and practise the things that you love doing…because the great opportunities in life will come when they come. But if you’re always waiting…they seem to take so much longer.

AVIVA: How did you get started? What was(were) your biggest challenge(s) when you were first starting out, and how did you overcome them?
MJ:  I’ve sort of answered the 1st part of this question in #1. My biggest challenge starting out was probably getting myself in front of the right people. And since you can’t just walk on to a film set and introduce yourself, I had to consistently send out my packages and try and be seen. So I would send my headshots off every month to the production offices and just HOPE that they actually made it into the right hands! I overcame that challenge by persevering. I was told from Day 1 that the stunt industry doesn’t just “let people in”. It takes on average about 5 years of pushing till you can start performing regularly. PERSEVERANCE KIDS! Don’t give up on your dreams. At times I’ve questioned some of my decisions, but I can tell you now that I’m so happy that I stuck with it. I’m actually getting to live out my dream! I’m just like anyone, it’s funny because people seem to get the idea that success is an instant thing and that it only happens to some people…what people don’t see are the years leading up to it…there are usually lots blood, sweat and tears that are exerted before success is achieved.

AVIVA: What does the average day look like for you?
MJ: There really are no average days, my schedule is constantly changing. I’ll think that I finally have a chill week coming up when I’ll get a call and BAM….gotta jump out of a moving car. But that’s what I love about it, constant change. Some people need stability, I thrive on excitement. One constant in my routine is that I train most days for an hr/day with intensity, sometimes more depending on what I’ve got coming up.

AVIVA: What piece of advice do you have for aspiring models who would like to get published?
MJ: Some advice I have for aspiring models who would like to get published is to only shoot with good photographers!!! If you’re starting out in your career, it’s worth it to find someone whose work you like and pay to have a shoot with them to get your portfolio started.

AVIVA: What are some of your upcoming projects that we should be on the lookout for?
MJ: Some upcoming projects to look out for are probably the shows I’ve worked on in the last 3 weeks. I’m appearing as Melinda Lane in the 100th episode special of the hit TV series PSYCH that is airing on USA Network. And you won’t know it’s me, but I just stunt doubled the character “Anna” on Steven Seagal’s TV series True Justice 2. And I’ve just been cast as the surfer girl (actor/stunt performer) in a feature film called Prime Evil that should be out later this year. I don’t know dates yet, but if I find out in advance I will be posting on my Facebook Public Figure Fan Page “Michelle Jeanpierre” so I invite you to LIKE my page if you’d like to keep up on these types of updates.

AVIVA: What are your favorite foods?
MJ: My fridge is generally full of clean eats. Lots of organic produce, chicken, fish, yams, oatmeal, nuts, protein powder…that sort of stuff. When I go out to eat my fave foods are anything ethnic. I love Japanese, Thai, East Indian, Mexican, Vietnamese….but my fave clean staple is definitely going out for sushi. I also love a good steak every now and then, and turkey meatballs!

AVIVA: What exercises do you enjoy the most?
MJ: These days I enjoy switching it up frequently. Truth is, I spent a few years competing and got into the habit of always lifting heavy…I loved training back, glutes/hamstrings, chest/Tri’s….let’s just say I LOVE TRAINING! But these days I’m doing a lot of body weight exercises, spin classes, and outdoor training. I am making a conscious effort to streamline my physique as this is a much more marketable look for a female in the film industry. Right now my training focus is on performance, ability, and improving my skill set. The fortunate side effect of this type of training is strong lean physique.

AVIVA: What exercises do you enjoy the most?
MJ: If you’d like to stay in contact with me and hear about my fave workouts/recipes/life/updates and general misadventures, I invite you to subscribe and contribute to my Public Figure Page on Facebook! I also write articles for various fitness publications so I will be posting tear sheets up there from time to time as well. I would also like to mention that I am the female face of Canada’s leading Mixed Martial Arts organization “AGGRESSION FIGHTING CHAMPIONSHIP“. If you are a fan MMA, I’ve attached a link to the AFC site so you can visit there to find updates on upcoming events and breaking news from the world of MMA. We’ve just undergone a major company merger so the site is currently under construction but will be up and running very soon if it’s not already. So stay tuned!
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I would like to thank Michelle for this interview and I wish her all the best. 🙂

Interview with Los Angeles model Lauren Calaway

Lauren Calaway is a highly sought-after model based in Los Angeles. Although she is 5’2″, she is agency represented in Los Angeles, San Francisco, Orange County, San Diego and Chicago. Lauren is very experienced, highly published and she excels at commercial, fashion, swimsuit, editorial, beauty and lifestyle modeling. She has been a part of major campaigns and has been featured in publications that models who are 5’9″ always dream of being a part of. In addition to being a phenomenal model who beat the odds given her height, she has also recently launched a new online magazine called Nouveau Magazine.

Above: Nouveau Magazine: The Beauty Issue

AVIVA: How did you get started and how long have you been a model?
LAUREN CALAWAY: I actually got started on the other end of the camera as a makeup artist. Every shoot that I did, I became more and more interested in modeling. So one day, I just got out there and did it. It was definitely love at first shoot. I have been modeling for 8 years.



Above: Photo by James Bassett

AVIVA: What excites you about the modeling industry?
LC: There is so much that excites me about the modeling industry, but the creativity grabs me the most. The endless possibilities that you can create is extremely exciting. To me, modeling is like painting. I am the subject from which the painting is created. Every detail is chosen with such care, down to the makeup, clothes, and hair. Then you have each photographer that has a different style with which their “painting” is created.

Also, the opportunities excite me. In our industry, there isn’t a ceiling, only the one you create. You set the bar for how high you can go by your ambition. I was always told that I had no hope in modeling due to my height, but I went out there and did it anyway. I have worked for many big photographers and some even bigger clients.


Above: Photo by Robert Voltaire

AVIVA: When did you first sign with an agency and what was that like?
LC: I first signed with an agency when I moved to LA in June of 2010. I didn’t need an agency before that time. I had been doing quite well as a freelance model. Once I moved to a major market, I knew that I would need an agent to help me get the bigger jobs. I was incredibly green to the whole process and jumped on the first agency that offered me a contract. They turned out to be a horrible agency and I left them only a few months after signing. I tell people that agents/agencies are like relationships. You have to go through a few before you find the right fit. Most people think that you should always go with a big agency, but that is not always the case. Remember that they have a ton of clients to take care of and sometimes you can become a number. Look into boutique agencies and see if that is a better fit for your needs.



Above: Photo by Malachi Banales

AVIVA: What achievements in your career are you most proud of? (publications, etc)
LC: I am extremely proud of my makeup campaigns (Bare Minerals and Stila Cosmetics). I always wanted to do strong beauty campaigns with high end clients. Makeup lines and fragrances are some of the highest paying jobs in the business. I am on the hunt for my fragrance campaign.

AVIVA: Could you tell us more about your new magazine that you just launched?
LC: I launched Nouveau Magazine in May of this year. As a model, I have been in quite a few magazines. Unfortunately, the magazines do not always view you as important as the photographer. Your name is rarely seen in the credits. I set out to amend this, not only for models but makeup artists, hair stylists, and wardrobe stylists. My magazine also features interviews on top industry professionals. Where you can read about them and their advice. We also feature fashion and beauty editorials from photographers all over the world. I hope to build it into something amazing, because as an artist you should always be evolving. I find Editor in Chief to be a great fit for where I see my career going.

AVIVA: What do you look for before deciding if you would like to collaborate with a photographer or not?
LC: I look through their portfolio on their website. You get an in depth look into what their tests are like, as well as their clients. I look for someone that inspires me, that will give me something different for my book.


Photo by Angela Marklew

AVIVA: What is the biggest mistake that you see aspiring models making time and time again?
LC: Getting wrapped up in testing. You should test to build your book, once it is built, you should take it and be able to use it to book paid work. They shoot with photographers because they have a big following online and don’t stop to ask the important questions.

1) Are these photos going to further my career or just gain me more social media notoriety?
2) Will my agents (agency) use them in Comp Cards?
3) Will potential clients see the MODEL, or just the post production methods of the photographer?
4) How much of YOU will be in the picture? (v.s. location, setting, props, etc.)
5) How clearly will they see your face in the photos? (far away shots or too much elaborate makeup) 75% of models are chosen for their facial traits

You need to take into account your agency, your market (for example: LA is extremely commercial), and your future. You may be a model today, but 5 years from now that could change.


Above: Photo by Jon Santana

 AVIVA: Do you have any additional comments?
 LC: Follow your dreams, but be smart about it. As a model, you are basically a startup company. It takes a lot of investment to get them off the ground. You should be professional and hard working because it isn’t all glitz and glam.
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I would like to thank Lauren for the interview, and I wish her continued success!
You can also check her out on FACEBOOK and Model Mayhem. Also, check out the Nouveau Magazine Facebook page.

James Patrick: The Key To Getting Published as a Model

While I was writing an article for the Model Mayhem EDU section, I landed on James Patrick’s profile. In case you don’t know who he is, James Patrick is a highly published fitness, commercial, advertising, and editorial photographer based in Arizona. He has extensive experience as a photographer, in addition to working as a marketing professional, website strategist, and a public speaker covering a variety of topics including photography, marketing, and business development. You can check out his website by clicking HERE, and/or you can like his page on FACEBOOK.

I have read countless threads on Model Mayhem by models wondering how to get published in magazines, as well as a variety of answers. Since getting published is such a commonplace topic, I thought that I should ask someone like James, who has a wealth of experience in the industry, and share his knowledge with anyone who wants to learn from the best.

So, I asked him the question: What do you believe is key to getting published as a model?
Below is his answer. When I read it, I felt like I learned a lot, and so will you.

JP: I would argue that there are several keys to getting published as a model. The first is the find the right publications to pitch to. As mentioned, each publication is going to have their own look and needs in a talent. Even within a specific genre you will have a variety of publications that will each carve out their own market segment. So, for a talent, it begins with a lot of research. What are the publications in the genre that I want to pursue and that I could be applicable for? Then it is about picking up that publication to study it. What are the features they run? Where are they taking submissions? Who is working for it? Who are the decision makers for the publication? And there might be more than just one. For some publications it could be the Editor in Chief. It could be the lead photographer. It could be the Art or Creative Director. It could be a section editor. What is the best way to get in touch with them? This is not a one-time step either. Doing research on the industry you want to be a part of is an ongoing discipline. Staff and contributors at publications often change. It is important to know that who you are pitching to is still working there.

The next key would be establishing a professional rapport with one or multiple decision makers. It is often not enough to just contact them and say ,“I want to be a part of your publication.” That would just make you one of the thousands that say the same thing. Being able to build that trust and connection is important. You begin to illustrate to them the most important thing which is WHY you would be good for them to feature. Understand that those who work in the publishing industry are extraordinarily busy. Often times they are not just working for one publication, but they are part of a publishing house working for several editorial projects. They receive hundreds to thousands of pitches. The prime way to stand out is to illustrate what makes you unique and different and why it would benefit the publication to feature you (or whatever it is you are asking them to feature). That is just a core principle of media relations in general.

When it comes to pitching; you have to be very clear and specific. Who you are, what it is that makes you important/different/relevant and why it matters to the publication. Also state what it is that you are asking for. Are you just wanting to be featured as a talent? Or are you interested in writing for them as well?

Show the client that you can do what it is that they need you to. Thus when you are sending over relevant samples of your work, focus on the relevancy of the images. This is where having a professional portfolio comes in handy. If they are not the type of publication that features talents in swimwear or lingerie, that is not the type of imagery you want to be showing them. Show them that you can shoot what it is they run in their publication.

The immediate follow up key I have to that is persistence. You may not get your first pitch picked up or even responded to. You may not get your second one noticed either. Or your third. But you may get your fourth or fifth noticed. Magazines like to see that you are invested in them and being persistent is a key to this.

Another key I would say is that when you get a job or a feature that you over-deliver. You reinforce to the publication why it was a good choice to hire you. Realize that when an editor hires a new model or a new photographer it is them putting their trust in you to do the job right. These editors also have bosses that they report to. Over delivering and doing an outstanding job on set allows that editor to go to his or her boss proudly with the feature.

The last key, and I would stress that this is something that is greatly overlooked, is to stay in touch with the client. They have already expressed the willingness to hire you. And if you did a great job; chances are they may have something coming down the pipeline at a later date. It also illustrates to the client that you were in it for more than just your benefit. It shows that you were and are truly invested in building a long-term relationship with that publication.

Sounds like a lot of work – but that is what separates those who desire to have something happen from those who have the drive to make it happen. As mentioned above, this is not a set it and forget it. Marketing yourself to the media (or whoever your clients may be) is an ongoing discipline and effort. But it should also be one of the most fun and challenging aspects of what you do as a talent.

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I would like to thank James for his great insight into the world of getting published and I wish him all the best.
I hope that you found this article as informative as I hoped you would. 🙂

Aviva

Interview with European Model Veronica LaVery

Veronica LaVery is an amazing European model, originally from the Czech Republic currently living in California. She is very versatile in her looks and posing ability, although she specializes in fashion, lingerie, bikini and commercial modeling. Veronica has a wide range of publications under her belt, including the cover of Playboy Czech Republic, features in FHM and MAXIM, and many others. She is stunning, knows how to work in front of the camera, and has the drive and ambition to make huge strides in the modeling world.

Photo & Make-up by: Philipe

I am thrilled to have interviewed Veronica and I hope that you enjoy this interview as much as I did. 🙂

AVIVA: How long have you been modeling?
VERONICA LAVERY: In August ’12 it is gong to be 3 years since I started working on my modeling portfolio wink

AVIVA: What is the most exciting part about your job?
VL: There is more than just one ‘exciting part’ of my job, I love how I get to work on various projects all the time, I never know what to really expect from my schedule and upcoming opportunities. For example, in an 8-hour everyday office job you will hardly ever get any unexpected surprises; and I’m glad modeling is not like that.


Photo: Philipe

AVIVA: Did you always want to be a model or did you have other career aspirations when you were growing up?
VL: Not at all! I never felt like I could ever be a model, I grew up as a little ’emo kid’, with piercings, hating my life, and I didn’t have any ambitions. The moment we moved to the States has started to change me and my vision on things and the opportunities I’m being given. So I started using them, and look where I am today.


Above: FHM CZ, Photography by Dre

AVIVA: What achievement(s) in your career are you most proud of?
VL: Besides all the big names I worked with, or for, magazines that are coming my way, magazine covers. I think I’m mostly proud of the ‘progress’ in what I do and in my own personal life in general. I think I keep ‘shocking’ people with my abilities in modeling. Which I like big_smile

AVIVA: Apart from having a great look, what else do you think is an important factor in succeeding as a model?
VL: You gotta be the whole ‘package’, there are millions of beautiful girls out there, but do their features and height give them the ultimate success? No, not at all, you gotta work hard, keep in shape, make smart decisions, know who you are, be professional, stay focused, know your advantages and your personality. I think the personality plays a major role here apart from the look, because that is what can make you stand out more.


Photo by: Martin Alonso Castaneda

AVIVA: Where do you see your modeling career going 5 years from now? (best case)
VL: I believe I can push myself into another level and that would be acting, there’s still a lot I can and will do in modeling itself but I do want to stay in the entertainment industry and in front of the camera, so acting will be a good call. Let’s hope I can do it even with my little Czech accent big_smile

AVIVA: What would you do if you won the lottery?
VL: Get at least one house, new cars for me an my family, invest in big things. I don’t even wanna dream like that…haha


Photo by: Barry Fontenot

AVIVA: What piece of advice do you have for aspiring models?
VL: Once you set your goals, go towards them, don’t let uneducated people put you down, be around the right people, and do what you love.
AVIVA: Do you have any additional comments?
VL: Visit me on FACEBOOK, TWITTER, my other Facebook, and my WEBSITE so you know what’s new in my modeling life smile and thank you for reading all this.
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I would like to thank Veronica for this interview, and I wish her all the best in the future.

Cheers,
Aviva

Interview with Los Angeles Glamour Model Sabrina Maree

Sabrina Maree is a very beautiful and highly published glamour model. Throughout her career, she has been featured in a variety of publications including: Playboy Magazine, Penthouse Magazine, Mayfair Magazine, and many others. She knows how to pose and is not afraid to show her sexy side.

In addition to modeling, she is also an actress and dancer, having appeared in a wide range of music videos. Most recently, she starred in a music video called “Casual Sex” by My Darkest Days.

Check out the video below:

I am thrilled to have been able to interview Sabrina for this feature.

 Photo by Russell Perkins; MUA/Hair: Tamanna Roashan; Model: Sabrina Maree

AVIVA:  Have you always wanted to be a model or did you have other career aspirations when you were younger?
SABRINA MAREE: I always wanted some kind of limelight… Modeling, acting. I grew up doing vaulting, gymnastics/dance on horseback, where I first learned how playing this other person could be so satisfying and freeing. I like having a back up plan in my education, but my heart is in entertainment.

AVIVA: What excites you the most about modeling?
SM: I like playing dress up, sitting in the MUA chair, creating something I see concrete results in. Growing and challenging myself. Proving people wrong about what my limitations are.


Photo by Tammy Sands; Model: Sabrina Maree

AVIVA: What career achievements are you most proud of?
SM: Penthouse Pet is my favorite achievement and has resulted in the most regular dependable work. I love the company and the girls, especially working the events.

AVIVA: What piece of advice would you give to aspiring models who would like to get published work?
SM: Go slow, have a back up method of income so you don’t have to do anything you don’t want to. Don’t depend on agents, seek out the specific things you want to accomplish and meet the people that can make it happen. If it doesn’t happen the first time keep trying.

AVIVA: Besides your look, what else do you believe is crucial for success as a model?
SM: I think adaptability, personality, who you know and a strong sense of who you are will make or break you.

AVIVA: What is your favorite type of photoshoot to do?
SM: I like to work with my favorite photographers, more than anything. More than a specific style.


Photo by Suze Randall; Model: Sabrina Maree

AVIVA: Do you have any crazy/exciting/weird shoot story that you would like to briefly share?
SM: I moved in with a male model I worked with on a lingerie catalogue shoot (for two weeks). On a music video shoot I ended up staying up all night with one of the musicians having one of the best conversations of my life, drinking Jack. I love the people modeling brings me in contact with. Emotional, intense, real artists. I stayed up for 12 hours shooting random stuff with one of the most prolific shock rockers of all time, on antique cameras, after meeting him through an MM member on a random Hollywood night out smile

AVIVA: What do you look for in a photographer before shooting with him/her?
SM: I am pretty open-minded about who I shoot with. I prefer people who are going to result in some publication or tear sheet. I don’t ever trade for tear sheets. If they make money, I make money.

AVIVA: Do you have any additional comments?
SM: Go slow!!! Don’t jump into things. 
_______________________________________________________________________________
I would like to thank Sabrina for her time during this interview. If you wan to see more of her work, check out her portfolio on Model Mayhem and follow her on TWITTER.

Interview with Fashion Model Christie Gabriel

Christie Gabriel is an established model who has over 12 years experience in runway, commercial, editorial, music video, fine art, and spokesmodeling. In every photo, she exudes beauty, confidence, elegance and sheer talent.

Her most notable gigs include the following: Cartier Diamonds campaign, Vogue Espana, two years in a row of New York and Chicago Fashion Weeks, face of Opera Swimwear, Several covers for Suburban Nitelife Magazine, Face of James D’Colon Designs, Maquillage Magazine, Simply Vera by Vera Wang, Teen Vogue, 2 P Diddy videos, Ricky Martin video, Roy jones Jr video, Nair Commercial, Skittles commercial, Aveda campeign and several hair shows, Skin Inc Magazine spread, several David’s Bridal runway shows, Home Shopping Network, Lifetime Fitness, three separate editorial spreads in a row for 4pm Magazine, and Graftobian 2011/2012 Catalog, Bella Morte, and Coup Magazine.

Below: Fashion tear for 4PM Magazine SEPT/OCT 2010. Photo by TH Taylor.

In addition to being a successful model herself, she takes great pride in mentoring new models to help them succeed as well. She is a firm believer in the fact that a model does not need agency representation in order to be successful, which is what her new book, The Self-Made Model – Success Without Agencies, is about. From what I have heard, it is a FANTASTIC bookfor aspiring models who would like to learn how to get started as a model, how to pose, how to book jobs, and how to market themselves.

I am honoured to have been able to interview Christie for this feature, and I hope that you too will enjoy it.

Above: Photo-Nadirah Bahar. You can grab Christie’s book HERE

AVIVA: Have you always wanted to be a model, or did you have other career aspirations when you were younger?
CHRISTIE GABRIEL: I wanted to be an architect actually. Since I was in first grade I’d spend hours drawing up floor plans. As I grew up I realized there was way too much math and college involved in it which took out a lot of the fun.

AVIVA: What did your parents/friends first think when you told them you were going to start modeling, before you succeeded at it?
CG: My mom was 100% all for it, as were most of my friends, although some of them did try to convince me that it was a bad idea to chase a pipe dream. My dad on the other hand….12 years later and I’m still not sure he’s completely warmed up to the idea; we just don’t talk much about work.


Above: Photo by TH Taylor

AVIVA: What achievements are you most proud of? (list publications, big gigs, etc).
CG: Sure I’ve worked for a few famous brands/people but honestly, I am most proud of my work educating and encouraging aspiring models. It’s so rewarding to see these girls go from self-conscious beginners to confident world traveling professionals.

AVIVA: What excites you the most about being a model?
CG: I love the idea of bringing a creative vision to life. Whether it be a client’s/photographer’s or my own, helping to create something that didn’t previously exist is an awesome feeling.


Above: Photo by David Hickey, MakeUp by Gia Deo.

AVIVA: What inspired you to write “The Self-Made Model – Success Without Agencies“?
CG: There is so much outdated and inaccurate information out there regarding modeling agencies. Most aspiring models still think that the agency route is the only way to truly become a successful model. That is just not true anymore.

In the last 6 years, I have booked far more work freelancing than I have through agencies in the same time frame. So, I wrote a book that would help others do the same.

The Self-Made Model – Success Without Agenciesis part how-to guide and part behind the scenes journal that encourages models to take control of their careers and become their own bosses.

AVIVA: What do you believe was the key to your success as a model, other than your look?
CG: I have an insane amount of ambition and perseverance. From the beginning of my career I decided that whatever I set out to accomplish, I would. Every year I’d set another seemingly impossible career goal and be sure to make it happen.
It is also important to always be professional, always. Word spreads like wildfire in this industry and one slip up can burn your reputation to the ground.

Above: Photo by TH Taylor.

AVIVA: What piece of advice would you give to aspiring models (who are reading this)?
CG: There are a lot of people and things that will try to stand in your way and/or take advantage of you in this industry. Arm yourself with as much information as you can from experienced professionals.

AVIVA: What are some of your other passions/interests?
CG: I’m an artistic person so of course I love modeling as well as painting and making strange wardrobe pieces for shoots.

AVIVA: Do you have any additional comments?
CG: Quick shameless plug: For nearly 200 pages of inside information that will help guide you to career success, grab a copy of my book on amazon . wink

I would like to thank Christie for her time and this interview. I wish her continued success for years to come. 🙂
__________________________________________________________________________________
If you would like to learn more about Christie, check out SELF-MADE MODEL, like her page on FACEBOOK, and PICK UP HER BOOK!

Merry Christmas to you all!

Hey guys & gals!

I just wanted to make a quick post and wish you all a Merry Christmas. 🙂

I did a Christmas themed photoshoot a few days ago. The shoot took about a half hour, and I did the editing. Photos are by IMS Photographic.

We didn’t take very many photos, but I am EXTREMELY happy that we have a relatively high ratio of good photos even though we didn’t shoot for very long.

I hope that you like these photos.

Happy Holidays!

Aviva

How much to charge for modeling?

Ever since I started modeling, the question of “modeling rates” has been popping up just about every day in modeling forums on networking sites. So, I finally decided to write a post with my personal take on setting modeling rates.

This is just from my experience and quite frankly, there are as many unique experiences and opinions as there are models. Additionally, this post is geared towards freelance models, who often make money by helping new photographers develop their portfolios, as opposed to agency models.

First, if you started modeling only for the money, then think very carefully about the reality of making money as a model, especially if you are freelance. It is very important to understand your limitations, because there is not a single model out there that is suitable for all kinds of work.

I know a few freelance models on Model Mayhem who make a living modeling (I’ll certainly try to get them to submit a guest post or two here, and maybe interview them). They travel for shoots and are able to sustain themselves. From reading many of their forum posts, I can see that it took them a long time to build a reputation that can allow them to charge enough for their modeling to make a living at it. Making a living as a full-time freelance model requires a lot of hard work, dedication, a look that people are willing to pay for, and sometimes the willingness to lower your limits when it comes to nudity and the types of shoots you are willing to accept.
I have seen models charge anywhere between $0/hr-$150/hr, and I, myself, have been paid (on average) anywhere between $25/hr-$60/hr for shoots (sometimes more, sometimes less).

I choose not to set a specific rate because I always want to know what the person hiring me is offering before I tell them. That way, I can try to renegotiate on jobs that I think are offering me too little money, or accept jobs that offer me more than what I had expected to get.

So, how much do you charge for modeling? How do you know how much you should charge? Should you charge?

1. When you are starting, focus on building a good portfolio that focuses on the areas of modeling that are most suited for you and that you are most interested in. Understand that if you are 5’4″ and 140 lbs, you probably will not make money as a fashion or commercial model. Therefore, stick with genres that suit your body type.

2. When deciding upon an offer you received, assess the person’s portfolio and decide for yourself if the amount of money they are offering you is worth being associated with that photographer and his work. Yes, they are paying you, but understand that those pictures will be on the Internet forever. Look at the person’s worst picture, and realize that their next worst one could be of you…do you want that? One bad picture can cost you money or your future career especially if you want to be a public figure.

One way that I was able to avoid working with some photographers that I did not want to work with was by quoting them rates that I knew they would not pay, and it worked well for me. I was able to be selective of who I worked with, while still making some money at modeling.

3. How you look is probably the most important factor when it comes to setting your rates. If your look is in demand, you can charge higher rates for your modeling because people would be willing to pay you more. To be able to make money as a model, realize that maintaining your looks is important, which means taking care of you skin, eating right, and going to the gym, among other things.

4.The number of models who can do what you do is also an important factor in whether or not you can charge and how much. If you see that in your area there are many models who do amazing standard glamour shots and you want to also be a glamour model, understand that you are up against some stiff competition. When supply is high, simple economics say that the price would therefore be low.

If you have a unique (posing, etc) skill that none of the models in your area possess, that can be an advantage for you. Anything that is rare is usually more valuable.

5. When deciding how much to charge, check out what the models in your area who are similar to you in looks, body type, and genre are charging. Some of them post their rates right on their Model Mayhem profile or their website.

Then, because you are newer, charge a little bit less than the average as you start out. If you see that at your current rate you are getting more offers than you have time for, then raise your rates a little bit. If you are not getting any offers, then lower your rates. If, even after you have lowered your rates, you are not getting any offers, it is time to go back to square 1 and re-assess your own portfolio, look, market, and goals.

6. Think of the basic supply and demand principle. If there is a lot of demand (photographers/companies who need models), and very little supply of models who fit their criteria, then those models can charge a higher price. If it’s the other way around, such as if there are way too many models who can do the job and not enough jobs, then the models can’t demand a higher rate.

7. Consider that you are also competing against many models who would do the same thing that you do but for free. Make a list of all the things that you can offer to the person “hiring” that those who model for free can’t/don’t do. In other  words, what can you do/what do you have that makes you worth paying for?

If you are disappointed that I didn’t write down the exact dollar figure, then I can explain to you why I didn’t.

Here are all the reasons why I didn’t write the exact dollar figure in this post:
*Modeling rates are variable by city/country. Chances are if you are a model in Victoria, BC your rates are different than if you were a model in Los Angeles, CA.
*I don’t know what you look like
*I don’t know your competition in the city where you live
*I am not familiar with modeling rates for every genre that you may be suited for, and different genres have different rates
*There are far too many variable factors to come up with a solid numeric figure.

How do you set your rates?

I hope you found this helpful. If you disagree with something, please say so in the comments. If you like this post, feel free to comment too.

Aviva

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